COMMODORE RECORDS
- Commodore は Milt Gabler (1911.5.20 – 2011.7.20) により創設された。
- Milt の父は Commodore Radio Corp.,を運営していた。 これはラヂオやスピーカーや電器部品の販売店。
- 1926年15歳の Milt はこの店を手伝いながらレコードの販売を思いつき78rpm のレコードをストックし始めた。
- 1934年には当地で Commodore Music Shop を立ち上げる。
彼の思惑は当たり、1年後には147, 144 and 136 E. 42nd Stと拡張し、 間口は9フィートになった。
やがて、46 West 52nd St.に支店をNJに卸部門を増設。 ここは当時ミュージシャン達が盛んにジャムっていた地域で、 何かと便利だった。
- 1938年、史上初のジャズ専門レーベル Commodore Records を設立し、レコードを発売する。
- Blue Note の Alfred Lion が軍役についていた1941年から1943年までの 約2年半、 Francis Wolff は Commodore Records の一角を間借りして Blue Noteの営業を続けた。
(店内の写真、画像左が Milt Gabler )
(店の前でRosemary Clooney,1950年)
Album CR-2
- CR-2として4枚を収納するアルバム、Deccaもディストリビュートした。
Classic In Seriesが納められたものも見かけるが、このAlbum CR-2はStarmaker Series(再発盤) 7514~17までの4枚8曲が納められたものと思われる。
(ラベルにCR-2, 8-1 ~8までの記載がある)
- 8-1 (7514) Yesterdays
8-2 (7514) I Got A Right To Sing The Blues
8-3 (7515) I’ll Be Seeing You
8-4 (7515) I’ll Get By
8-5 (7516) I Cover The Waterfront
8-6 (7516) Lover Come Back To Me
8-7 (7517) She’s Funny That Way
8-8 (7517) How Am I To Know
Labelの種類
Commodore盤は大別すると2種類ある
- Classics In Swing
- Starmaker Series(主に再発盤)
Classics In Swingには出版時期により3種類、製法で2種類ある。
- 46West 52nd Street, New York City
- 136East 42nd Street New York City
- Commodore Records Co., Inc., NY., U.S.A.
(判別はラベル8時-4時の記載が異なる)
- Columbia‘s Laminate Press
- それ以外の製法
(判別は表面のツヤでわかるが、番号の字体が異なる)
- 左がラミネート・プレス
Commodore Original List
Disc No. | Title | MX No. | Rec.Date | T/O,R/O |
---|---|---|---|---|
526 | Strange Fruit | WP24403-B | 390420 | 250/-8.5 |
Fine And Mellow | WP24405-A | 390420 | 250/-8.5 | |
527 | I Got A Right To Sing The Blues | WP24406-B | 390420 | 250/-8.5 |
Yesterdays | WP24404-A | 390420 | 250/-8.5 | |
553 | I’ll Be Seeing You | A4750-1 | 440401 | 250/-16 |
I’ll Get By | A4744-1 | 440325 | 250/-16 | |
559 | I Cover The Waterfront | A4745-2 | 440325 | 250/-16 |
Lover Come Back To Me | A4755-2 | 440408 | 250/-16 | |
569 | She’s Funny That Way | A4754-2 | 440408 | 250/-16 |
How Am I To Know | A4742-3 | 440325 | 250/-16 | |
585 | I’m Yours | A4751-1 | 440401 | 250/-16 |
My Old Flame | A4743-1 | 440325 | 250/-16 | |
614 | I Love My Man (Billie’s Blues) | A4756-2 | 440408 | 250/-16 |
On The Sunny Side Of The Street | A4757-1 | 440408 | 250/-16 | |
7518 | My Old Flame | A4743-3 | 440325 | 250/-16 |
7519 | I Love My Man (Billie’s Blues) | A4756-3 | 440408 | 250/-16 |
7520 | Embraceable You | A4752-2 | 440401 | 250/-16 |
As Time Goes By | A4753-1 | 440401 | 250/-16 |
- Although made for Milt Gabler’s COMMODORE label these recordings took place at the ARC studios and were allocated matrices numbers in their New York series.
526 Strange Fruit
Lewis Allan
20th, April 1939
WP24403-B
Southern trees bear a strange fruit
Blood on the leaves and blood at the root
Black bodies swinging in the Southern breeze
Strange fruit hanging from the poplar trees
Pastoral scene of the gallant South
The bulging eyes and the twisted mouth
Scent of magnolia sweet and fresh
Then the sudden smell of burning flesh
Here is the fruit for the crows to pluck
For the rain to gather for the wind to suck
For the sun to rot for the tree to drop
Here is a strange and bitter crop
- 当時高校教師だったLewis Allanの1939年の作品。
曲もAllanが大まかなものを書いて、アレンジャーのDanny Mendelsohn が仕上げたものと思われる。
生粋のエンターテイナーであったBillieはこの曲を受け取ったとき、実際にはどうしていいか分からなかったようだ。彼女は詩的な表現「Pastoral」という言葉の意味すらも理解できなかったそうだ。
Barney Josephsonが開店したカフェ・ソサエティでセットの最後にこの曲を唄った。
歌詞や音程が乱れることはなかったが、涙をこぼして熱唱する彼女に聴衆は大いに感動し、大評判となった。
伝説の黒人オペラ歌手マリアン・アンダーソンでさえ当時、記事は出ても写真が雑誌に載ることはなかった。カフェ・ソサエティでのBillieの成功にTIMEが初めて黒人の彼女の写真と歌詞を掲載した。
クラブ側もこの曲が始まると全ての照明を消して、飲食のサービスを一切停止し、彼女にピン・スポットの照明だけを当てるという演出をした。
- 当時BillieはColumbiaと契約していたが、大手レコード会社の幹部は人種差別を批判するこの歌をレコード化することに難色を示した。クラブの近所でCommodore Music Shopを経営していたMilt Gablerが「Columbiaの承諾を得てくればレコードにしてあげよう」と彼女に提案し、Billieが直接Columbiaから承諾を得てきた。慣例で2枚4曲の承諾を得たGablerはStrange FruitをFine and Mellowとカップリングで発売にこぎ付けた。当初ジュークボックスでFine and Mellowがヒットしたことも幸いし、このレコードは15,000枚という当時としては大ヒットを記録した。
1939年7月22日の人気チャートで16位となる。
- Billie はこの曲の成功により、これ以降どの曲も「葬式の哀悼歌」のようなスロー・テンポな歌い方ばかりになってしまったと John Hammond は嘆いている。
- 結婚には至らなかったが、Billie自らが語る「生涯に本当に愛した3人の男」とは幼なじみのMarion Scot, Basie楽団のギタリストFreddie Green、そして、この盤のピアノ伴奏者Sonny Whiteだったそうだ。
- PERSONNEL
Frankie Newton tp; Tab Smith as &ss; Kenneth Hollon, Stanley Payne ts; Sonny White p; Jimmy McLin g; John Williams b; Eddie Dougherty ds; Billie Holiday vc;
Brunswick World Broadcast Studio
YouTube
526 Fine And Mellow
Billie Holiday
20th, April 1939
WP24405-A
My man don’t love me
Treats me oh so mean
My man he don’t love me
Treats me awfully (awful mean)
He’s the lowest man
That I’ve ever seen
He wears high draped pants
Stripes are really yellow
He wears high draped pants
Stripes are really yellow
But when he starts in to love me
He’s so fine and mellow
Love will make you drink and gamble
Make you stay out all night long
Love will make you drink and gamble
Make you stay out all night long
Love will make you do things
That you know is wrong
But if you treat me right baby
I’ll stay home every day
If you treat me right baby
I’ll stay home every day
But you’re so mean to me baby
I know you’re gonna drive me away
Love is just like a faucet
It turns off and on
Love is like a faucet
It turns off and on
Sometimes when you think it’s on baby
It has turned off and gone
- Columbiaから4曲の録音の権利を得たMilt Gablerはブルーズを一曲とりたかった。
Miltは録音の前日、カフェ・ソサエティの控え室にBillieを訪ね、彼女の書いた歌詞を検討していた。
Billie のメモにはありきたりの ‘I love my man’ といった類の語句が並んでいた。Miltが「High-drape pants, Stripes are really yellow/ Kisses me, makes me really mellow」という歌詞の肝を思いついた。「Fine and Mellow」というタイトルも彼の発案だった。レコードはジュークボックス市場で人気曲となり翌年Deccaが権利を買いに来た。Miltは慌てて、レコードから採譜して、自分がほとんど創ったにもかかわらず、Billie の作詞作曲として著作権登録した。
- PERSONNEL
Frankie Newton tp; Tab Smith as &ss; Kenneth Hollon, Stanley Payne ts; Sonny White p; Jimmy McLin g; John Williams b; Eddie Dougherty ds; Billie Holiday vc;
YouTube
527 I Got A Right To Sing The Blues
Lyrics : Ted Koehler
Music : Harold Arlen
20th, April 1939
WP24406-B
I gotta right to sing the blues
I gotta right to moan and sigh
I gotta right to sit and cry
Down around the river
A certain man in this old town
Keeps draggin’ my poor heart around
All I see for me is misery
I gotta right to sing the blues
I gotta right to moan and sigh
Right to sit and cry
Down around the river
Soon that deep blue sea
Will be callin’ me
It must be love say what you choose
I gotta right to sing the blues
(bridge)
I gotta right to sing the blues
Gotta right to moan and cry
Gotta right to sit and sigh
Down around the river
Soon that deep blue sea
Will be callin’ me
It must be love say what you choose
I gotta right to sing the blues
There’s nothing left for me
I’m full of misery
I gotta right to sing the blues
- 1932年のレヴュー「Earl Carroll Vanities」の挿入歌。
Billieはミディアム・テンポで「私にはブルーズを唄う権利があるわ」とゆったりと唄っている。
- PERSONNEL
Frankie Newton tp; Tab Smith as &ss; Kenneth Hollon, Stanley Payne ts; Sonny White p; Jimmy McLin g; John Williams b; Eddie Dougherty ds; Billie Holiday vc;
YouTube
527 Yesterdays
Lyrics : Otto Harbach
Music : Jerome Kern
20th, April 1939
WP24404-A
Yesterdays
Yesterdays
Days I knew as happy sweet
Sequestered days
Olden days
Golden days
Days of mad romance and love
Then gay youth was mine
Truth was mine
Joyous free and flaming life
Then sooth was mine
Sad am I
Glad am I
For today I’m dreamin’ of
Yesterdays
(2nd section, double-time)
Yesterdays
Yesterdays
Days I knew as happy sweet
Sequestered days
Olden days
Golden days
Days of mad romance and love
For then gay youth was mine
Truth was mine
Joyous free and flaming life
Then sooth was mine
Sad am I
Glad am I
For today I’m dreamin’ of
Yesterdays
Yesterdays
- 1933年のミュージカル「Roberta」の挿入歌。
「Yestedays」は過ぎ去りし過去の日々のことを意味し、簡単な歌詞が巧みに韻を踏みながら美しいメロディに乗り進行する。
- PERSONNEL
Billie Holiday vc. with Kenneth Hollon and rhythm section only
YouTube
553 I’ll Be Seeing You
Lyrics : Irving Kahal
Music : Sammy Fain
1st, April 1944
A4750-1
I’ll be seeing you
In all the old familiar places
That this heart of mine embraces
All day through
In that small café
The park across the way
The children’s carousel
The chestnut trees
The wishing well
I’ll be seeing you
In every lovely summer’s day
In everything that’s light and gay
I’ll always think of you that way
I’ll find you in the morning sun
And when the night is new
I’ll be looking at the moon
But I’ll be seeing you
I’ll be seeing you
In every lovely summer’s day
In everything that’s light and gay
I’ll always think of you that way
I’ll find you in the morning sun
And when the night is new
I’ll be looking at the moon
But I’ll be seeing you
- 1938年のミュージカル「Right This Way」に使用された曲。
1944年の戦争時に同名のUA映画主題歌として出征した恋人の不在感を表現している雰囲気でヒットした。
Billieはここで、ねばるようなスローバラードに仕上げている。
評論家の油井正一先生に「想わず落涙する」といわせた名歌唱である。
- PERSONNEL
Billie Holiday acc. by Eddie Heywood and his Orchestra
YouTube
553 I’ll Get By
Lyrics : Roy Turk
Music : Fred E. Ahlert
25th, March 1944
A4744-1
I’ll get by
As long as I have you
Though there’ll be rain
And darkness too
I’ll not complain
I’ll laugh it’s true
Poverty
May come to me that’s true
But what care I
I’ll get by
As long as I have you
(bridge)
I’ll get by
As long as I have you
Though there’ll be rain
And darkness too
I’ll not complain
I’ll laugh it’s true
Poverty
May come to me that’s true
But what care I
I’ll get by
As long as I have you
- Commodoreへの2回目の吹き込みで Eddie Heywood のコンボは絶好調。
Billie も多少テクニックに走るきらいはあるものの絶頂期。
Downbeat 誌はかならずも良い評価は与えなかった。 - PERSONNEL
Billie Holiday vc. with Doc Cheatham tp; Lem Davis as; Vic Dickenson tb; Eddie Heywood p; Teddy Walters g: John Simmons b; Sidney Catlett ds;
YouTube
559 I Cover The Waterfront
Lyrics : Edward Heyman
Music : Johnny W. Green
25th, March 1944
A4745-2
I cover the waterfront
In search of my love
And I’m covered
By a starlit sky above
Here am I
Patiently waiting
Hoping and longing
Oh how I yearn
Where are you
Have you forgotten
Will you remember
Will you return
I cover the waterfront
I’m watching the sea
Will the one I love
Be coming back to me
Here am I
Patiently waiting
Hoping and longing
Oh how I yearn
Where are you
Have you forgotten
Will you remember
Will you return
I cover the waterfront
I’m watching the sea
Will the one I love
Be coming back to me
Will the one I love
Be coming back to me
- PERSONNEL
Billie Holiday vc. with Doc Cheatham tp; Lem Davis as; Vic Dickenson tb; Eddie Heywood p; Teddy Walters g: John Simmons b; Sidney Catlett ds;
YouTube
559 Lover Come Back To Me
Lyrics : Oscar Hammerstein II
Music : Sigmund Romberg
8th, April 1944
A4755-2
The sky was blue
And high above
The moon was new
And so was love
This eager heart of mine was singing
Lover where can you be
You came at last
Love had its day
That day is past
You’ve gone away
This aching heart of mine is singing
Lover come back to me!
When I remember every little thing
You used to do
I’m so lonely
Every road I walk along
I walk along with you
No wonder I am lonely
The sky is blue
The night is cold
The moon is new
But love is old
And while I’m waiting here
This heart of mine is singing
Lover come back to me!
When I remember every little thing
You used to do
I grow lonely
Every road I walk along
I walk along with you
No wonder I am lonely
The sky is blue
The night is cold
The moon is new
But love is old
And while I’m waiting here
This heart of mine is singing
Lover come back to me!
- 1928年のオペレッタ「The New Moon」に使用された曲。
アップテンポで歌うスタンダード曲として定着しているが、この盤でBillieは比較的ゆっくりと唄っている。
The moon is new, but love is old「月は出たばかりでも恋は終わりかけている」
- PERSONNEL
Billie Holiday vc. with Eddie Heywood p; John Simmons b; Sidney Catlett ds;
YouTube
569 She’s Funny That Way
Lyrics: Richard A. Whiting
Music : Neil Moret
8th, April 1944
A4754-2
I’m not much to look at
Nothing to see
Just glad I’m living
And lucky to be
I’ve got a man
Crazy for me
He’ funny that way
I can’t save a dollar
Ain’t worth a cent
He doesn’t holler
He’d live in a tent
I’ve got a man
Crazy for me
He’s funny that way
Though he loves to work and slave
For me every day
He’d be so much better off
If I went away
But why should I leave him
Why should I go
He’d be unhappy
Without me I know
I’ve got that man
Mad about me
He’s funny that way
I can see no other way
And no better plan
End it all and let him go
To some other gal
But I’m only human
A coward at best
I’m more than certain
He’d follow me
West
I’ve got a man
Crazy for me
He’s funny that way
- PERSONNEL
Billie Holiday vc. with Eddie Heywood p; John Simmons b; Sidney Catlett ds;
YouTube
569 How Am I To Know
Lyrics : Dorothy Parker
Music : Jack King
25th, March 1944
A4742-3
Oh
How am I to know
If it’s really love
That’s found its way here ?
Oh
How am I to know ?
Will it linger on
And leave me then ?
I’ll dare not guess
At this strange happiness
But oh
How am I to know ?
Can it be that love
Has come to stay here ?
- 1929年の映画「Dynamite」に使われた曲。
劇作家、評論家、詩人として有名なDorothy Parkerの作詞。
Jack King (1903-1943)はクラシックの天才ピアニストとして各地でコンサートを行った。
ここではBillieはゆったりとやや重苦しく唄う。
- PERSONNEL
Billie Holiday vc. with Doc Cheatham tp; Lem Davis as; Vic Dickenson tb; Eddie Heywood p; Teddy Walters g: John Simmons b; Sidney Catlett ds;
YouTube
585 I’m Yours
Lyrics : E.Y. Harburg
Music : Johnny Green
1st, April 1944
A4751-1
Ask the sky above
And ask the earth below
Why I’m so in love
And why I love you so
Couldn’t tell you though I tried dear
Just why I’m yours
When you went away
You left a glowing spark
Trying to be gay as
Whistling in the dark
I am only what you make me
Come take me
I’m yours
How happy
I would be to beg or borrow
For sorrow
With you
Even though I knew
Tomorrow
You’d say we were through
If we drift apart
Then I’ll be lost and lone
Though you use my heart
Just for a steppin’ stone
How can I help dreaming of you
I love you
I’m yours
How happy
I would be to beg or borrow
For sorrow
With you
Even though I knew
Tomorrow
You’d say we were through
If we drift apart
Then I’ll be lost and lone
Though you use my heart
Just for a steppin’ stone
How can I help dreaming of you
I love you
I’m yours
- PERSONNEL
Billie Holiday acc. by Eddie Heywood and his Orchestra
YouTube
585 My Old Flame
Lyrics & Music : Sam Coslow & Arthur Johnston
25th, March 1944
A4743-1
My old flame
I can’t even think of his name
But it’s funny now and then
How my thoughts go flashing back again
To my old flame
My old flame
My new lovers all seem so tame
For I haven’t met a gent
So magnificent or elegant
As my old flame
I’ve met so many men
With fascinating ways
A fascinating gaze in their eyes
Some who sent me up to the skies
But their attempts at love
Were only imitations of
My old flame
I can’t even think of his name
But I’ll never be the same
Until I discover what became
Of my old flame
I’ve met so many men
With fascinating ways
A fascinating gaze in their eyes
Some who sent me up to the skies
But their attempts at love
Were only imitations of
My old flame
I can’t even think of his name
But I’ll never be the same
Until I discover what became
Of my old flame
- 1934年の映画「Belle of the Nineties」で使用した曲。
Arthur Johnaton (1898-1954)は31年にチャップリンの映画「街の灯」の音楽などを書いている。
「Old Flame」は昔の恋人のこと。
Billieの雰囲気にぴったりの歌で、ほろ苦く過去の恋愛遍歴を述懐している。
- PERSONNEL
Billie Holiday vc. with Doc Cheatham tp; Lem Davis as; Vic Dickenson tb; Eddie Heywood p; Teddy Walters g: John Simmons b; Sidney Catlett ds;
YouTube
614 I Love My Man (Billie’s Blues)
Billie Holiday
8th, April 1944
A4756-2
I love my man I’m liar if I say I don’t
I love my man I’m liar if I say I don’t
But I’ll quit my man
I’m liar if I say I won’t
I’ve been your slave baby
Ever since I’ve been your babe
I’ve been your slave
Ever since I’ve been your babe
But before I’ll be your dog
I’ll see you in your grave
My man wouldn’t give me no breakfast
Wouldn’t give me no dinner
Squawked about my supper then he put me outdoors
Had the nerve to lay a matchbox on my clothes
I didn’t have so many
But I had a long, long ways to go
I ain’t good-looking
And my hair ain’t curls
I ain’t good-looking
And my hair ain’t curls
But my mother, she give me something
It’s going to carry me through this world
Some men like me ‘cause I’m happy
Some ‘cause I’m snappy
Some call me honey
Others think I’ve got money
Some say: Billie,
Baby you’re built for speed
Now if you put that all together
Makes me everything a good man needs
- PERSONNEL
Billie Holiday vc. with Eddie Heywood p; John Simmons b; Sidney Catlett ds;
YouTube
614 On The Sunny Side Of The Street
Lyrics : Dorothy Fields
Music : Jimmy McHugh
8th, April 1944
A4757-1
Grab your coat and get your hat
Leave your worry on the doorstep
Just direct your feet
To the sunny side of the street
Can’t you hear a pitter-pat
And that happy tune is your step
Life can be so sweet
On the sunny side of the street
I used to walk in the shade
With those blues on parade
But now I’m not afraid
This rover crossed over
If I never have a cent
I’ll be rich as Rockefeller
Going to set my feet
On the sunny side of the street
(bridge)
Grab your coat and get your hat
Leave your worry on the doorstep
Just direct your feet
To the sunny side of the street
Can’t you hear a pitter-pat
And that happy tune is your step
Life can be so sweet
On the sunny side of the street
I used to walk in the shade
With those blues on parade
But now I’m not afraid
This rover crossed over
If I’d never have a cent
I’d be rich as Rockefeller
With gold dust at my feet
On the sunny side of the street
- 1930年のレヴュー「International Revue」に使用された曲。
If I never have a cent, I’ll be rich as Rockefeller「一文無しでも気分はロックフェラーのように金持ち」といきたいものだ。
- PERSONNEL
Billie Holiday vc. with Eddie Heywood p; John Simmons b; Sidney Catlett ds;
YouTube
7518 My Old Flame
Lyrics & Music : Sam Coslow & Arthur Johnston
25th, March 1944
A4743-3
My old flame
I can’t even think of his name
But it’s funny now and then
How my thoughts go flashing back again
To my old flame
My old flame
My new lovers all seem so tame
For I haven’t met a gent
So magnificent or elegant
As my old flame
I’ve met so many men
With fascinating ways
A fascinating gaze in their eyes
Some who sent me up to the skies
But their attempts at love
Were only imitations of
My old flame
I can’t even think of his name
But I’ll never be the same
Until I discover what became
Of my old flame
I’ve met so many men
With fascinating ways
A fascinating gaze in their eyes
Some who sent me up to the skies
But their attempts at love
Were only imitations of
My old flame
I can’t even think of his name
But I’ll never be the same
Until I discover what became
Of my old flame
- ラベルは A4743-1 となっているが、明らかに 585 とは違うテイク。
Jack Millar 氏の記述通りこちらは A4743-3 で良いと思う。
- PERSONNEL
Billie Holiday vc. with Doc Cheatham tp; Lem Davis as; Vic Dickenson tb; Eddie Heywood p; Teddy Walters g: John Simmons b; Sidney Catlett ds;
YouTube
7519 I Love My Man (Billie’s Blues)
Billie Holiday
8th, April 1944
A4756-3
I love my man I’m liar if I say I don’t
I love my man I’m liar if I say I don’t
But I’ll quit my man
I’m liar if I say I won’t
I’ve been your slave baby
Ever since I’ve been your babe
I’ve been your slave
Ever since I’ve been your babe
But before I’ll be your dog
I’ll see you in your grave
My man wouldn’t give me no breakfast
Wouldn’t give me no dinner
Squawked about my supper then he put me outdoors
Had the nerve to lay a matchbox on my clothes
I didn’t have so many
But I had a long, long ways to go
I ain’t good-looking
And my hair ain’t curls
I ain’t good-looking
And my hair ain’t curls
But my mother, she give me something
It’s going to carry me through this world
Some men like me ‘cause I’m happy
Some ‘cause I’m snappy
Some call me honey
Others think I’ve got money
Some say: Billie,
Baby you’re built for speed
Now if you put that all together
Makes me everything a good man needs
- PERSONNEL
Billie Holiday vc. with Eddie Heywood p; John Simmons b; Sidney Catlett ds;
YouTube
7520 Embraceable You
Lyrics : Ira Gershwin
Music : George Gershwin
1st, April 1944
A4752-2
Embrace me
My sweet embraceable you
Embrace me
My irreplaceable you
Just to look at you
My heart grows tipsy in me
You and you alone
Bring out the gypsy in me
I love all
The many charms about you
Above all
I want my arms about you
Don’t be a naughty baby
Come to me
Come to me do
My sweet embraceable you
I love all
The many charms about you
Above all
I want my arms about you
Don’t be a naughty baby
Come to mama
Come to mama do
My sweet embraceable you
- PERSONNEL
Billie Holiday acc. by Eddie Heywood and his Orchestra
YouTube
7520 As Time Goes By
Lyrics & Music : Herman Hupfeld
1st, April 1944
A4753-1
You must remember this
A kiss is still a kiss
A sigh is just a sigh
The fundamental things apply
As time goes by
And when two lovers woo
They still say I love you
On that you can rely
No matter what the future brings
As time goes by
Moonlight and love songs
Never out of date
Hearts filled with passion
Jealousy and hate
Woman needs man
And man must have his mate
That no one can deny
It’s still the same old story
A fight for love and glory
A case of do or die
Though I will always welcome lovers
As time goes by
Moonlight and love songs
Never out of date
Hearts full with passion
Jealousy and hate
Woman needs man
Man must have his mate
That no one can deny
It’s still the same old story
A fight for love and glory
A case of do or die
Though I will always welcome lovers
As time goes by
- 1934年の作品。その後映画「カサブランカ」の主題歌として有名になった。
邦題の「時のすぎゆくままに」は大迷訳として有名。
訳すなら「時がすぎても」といったところか。
恋愛はいつの時代でも変わらない、「恋人達の心はいつだって情熱と嫉妬と憎悪で満ちている」女には男が男には女が必要だ。
- PERSONNEL
Billie Holiday acc. by Eddie Heywood and his Orchestra
YouTube